apollo in the forge of vulcan

On the other hand, the clear shades of the figure of Apollo are reminiscent of Guercino. Vulcan, in this picture, is just a blacksmith, as are his helpers, who are men from the village who know the trade. The blue sky closer to Vulcan’s head (Nr 6) contains smalt, lead white, and possibly bone black, yellow ochre, and calcite. 110 – 115. label QS:Lit,"La fucina di Vulcano". Apollo, god of poetry and music and knower of the truth, represents the superiority of Art over Craft, which is embodied by Vulcan, the Roman god of fire and protector of blacksmiths. ‘Love even takes Sol prisoner, who rules all the stars with his light. Vulcan, in this picture, is just a blacksmith, as are his helpers, who are men from the village who know the trade. Explanation, analysis, and brief biography. Apollo in the Forge of Vulcan has been cited as one of the most important works from Velázquez's first trip to Italy and "one of his most successful compositions with regard to the unified, natural interaction of the figures." Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. Size 15x20cm (low Details) 13x15"/31x36cm (Good for Beginners) 15x19''/36x46cm (Recommended) 24x31''/60x78cm (Best Results) 36x51''/91x129cm (Outstanding) Shape Quantity must be 1 or more Add to cart … The blue-green colour of the shoelace of Apollo (Nr 1) was achieved by mixing azurite, yellow ochre, calcite, and red lake. Lead white Velazquez interpreted the scene into a strictly human version, with contemporary figures. 12) that is often considered a study for this painting. label QS:Leu,"Vulkanoren sutegia". Smalt “I believe that the influence of Guido Reni is undeniable in The Forge of Vulcan – in the elegant friezelike composition, in the influence of ancient sculpture, and in the palette, lighter and less robust than that of Joseph’s Coat (the latter brings Guercino to mind). The Forge of Vulcan oil on canvas; 223 x 290 cm; 1630; Camera manufacturer: Hasselblad: Camera model: Hasselblad H4D-50: Exposure time: 16/1 sec (16) F-number: f/19: ISO speed rating: 50: Date and time of data generation: 08:20, 31 May 2012: Lens focal length: 120 mm: Author: Painter, Diego Velázquez: Width: 2,362 px: Height: 1,827 px: Bits per component: 8; 8; 8; … Apollo in der Schmiede Vulkans. v_atekor 10:35, 19 February 2013 (UTC) Agreed - good catch. In Homer’s original text it is Helios who informs Vulcan about his unfaithful wife, while Apollo appears only after the adulterers are caught in the net of the deceived husband (1). Its made from high quality 5-ply, 5mm thick plywood. Critics agree that the work should be dated to 1630, the same year as his companion painting Joseph's Tunic. Diego Velázquez - The Forge of Vulcan - WGA24376.jpg 1,259 × 1,000; 152 KB. It emphasises contemporary interest in nude figures, influenced by Greco-Roman statuary and the classical movement of Guido Reni. He is often depicted with a blacksmith’s hammer. Velázquez interpreted the scene into a strictly human version, with contemporary figures. Apollo in the Forge of Vulcan - by Diego Velazquez; Apollo in the Forge of Vulcan - by Diego Velazquez. Roberto Osti Live Stream - Drawing the Head Test. Vulcan was born extremely ugly. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). The idea of ColourLex is centered around the common ground between science and art. The Spanish attitude toward mythological figures and episodes contrasts with the French stance of respectful veneration, as seen in Louis Le Nain’s Venus at the Forge of Vulcan (Musee Saint-Denis, Reims).” (2). Estudio para la cabeza de Apolo, by Diego Velázquez.jpg 508 × 800; 93 KB. Apollo in the Forge of Vulcan (Diego Velázquez) is a hand-cut wooden puzzle with 260 pieces. I will tell you about his amours. label QS:Lca,"La forja de Vulcà". There he distanced himself from the caravaggism inherent in his earlier works, with its sharp black-and-white transitions and greyish palette. Apollo in the Forge of Vulcan Analysis studymode413 Following his first trip to Italy in 1630, Spanish Baroque artist Diego Velazquez completed his epic oil on canvas, Apollo in the Forge of Vulcan. The availability and choice of pigments changed around 1600 and thus we perceive a notable difference between the paintings of the Renaissance such as Titian’s ‘Bacchus and Ariadne‘ and the ‘Apollo in the Forge of Vulcan’. The best example is the originally green wreath of Apollo which is now of blue-green colour due to the degradation of the yellow lake mixed with blue azurite to obtain the desired green colour. Madder lake The full text of the article is here →, {{$parent.$parent.validationModel['duplicate']}}, en.wikipedia.org/wiki/Apollo_in_the_Forge_of_Vulcan, 1-{{getCurrentCount()}} out of {{getTotalCount()}}, https://en.wikipedia.org/wiki/Apollo_in_the_Forge_of_Vulcan. This is Apollo, who addresses himself to Vulcan, the blacksmith nearest to him, whose stance reveals his lameness. Apollo in the Forge of Vulcan of Velazquez. label QS:Lpl,"Kuźnia Wulkana". Vulcan is a roman god (Vulcanus) and the story is counted in Ovides Metamorphosis, Latin poem. Apollo is seen wearing a toga which leaves his torso exposed to view. We see a smithy, we see a Spaniard at work. Lead-tin yellow Titian’s choice was pure pigments of high colour saturation, such as ultramarine, orpiment, or vermilion. Apollo in the Forge of Vulcan is considered a landmark in Velazquez’s career because it debuted a combination of both his Spanish and Italian artistic influence. Vulcan and his workers stare at their visitor, hanging on his every word-the young god’s presence and the gesture of his right hand command attention. Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. The greenish-gray loincloth of the man on the far right (Nr 7) contains bone black, lead white, green earth, yellow ochre, calcite, and possibly small amounts of vermilion. This book is available at Amazon US, Amazon UK, Amazon DE. " Apollo in the Forge of Vulcan" (Spanish: "Apolo en la Fragua de Vulcano") is an oil painting by Diego Velazquez completed after his first visit to Italy in 1629. Greek mostly equivalent god is Hephaestus. Reply. Apollo in the Forge of Vulcan Enthusiasm about arts. The pictures Velázquez produced in Italy include the large Forge of Vulcan. Ultramarine natural, See the collection of online and offline resources such as books, articles, videos, and websites on Velázquez in the section ‘Resources on Painters‘. There is one noteworthy detail of the merged identities of the Greek god of Sun Helios and of Apollo, the god of poetry and music. It appears that neither of the two paintings were commissioned by the king, although both became part of the royal collections within a short time. A final comparison between the two works of art is how each was painted using oil n canvas. Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. Here the forceful Apollo tells the lame Vulcan that the smith’s wife, Venus, has been unfaithful to him with Mars, the god of war, for whom the pieces of (contemporary, not ancient) armor are most likely being forged (some believe that the armor is destined for Achilles).” (1), “Velazquez’s choice of subject-a burlesque episode of the cuckolded husband-is typical of the antimythological bent of Spanish artists and writers of the Golden Age, but he gives this scene the same dignity he confers on all he paints, whether it be a betrayed god or a dwarf. Vulcan’s heart dropped, and he dropped in turn the craftsman’s work he held in his hand. (3) Alfonso E. Pérez Sánchez, Julián Gállego, Velázquez, Metropolitan Museum of Art, 1989, pp. The paint in the foot of the man to the right of Vulcan (Nr 3) contains lead white, calcite, yellow ochre with possibly small amounts of red lake, bone black, azurite and vermilion. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. The blue colour of the shoelace is a cool contrast to the orange robe. ColourLex is being supported by the cogito foundation. The gray-blue sky on the left (Nr 5) contains lead white, calcite, bone black, smalt, and possibly traces of yellow-brown ochre and natural ultramarine. 1 . Especially delicate is the figure of the young god Apollo, with his ephebic fairness and pearly flesh. Yellow ochre Apollo enters into the forge of Vulcan to warn him about his wife’s adultery, Venus goddess of beauty, with Mars, the god of war. 2 . often considered a study for this painting. Wikipedia article References Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. It was painted during the artist’s first trip to Italy. This pigment analysis is based on the book ‘Examining Velazquez’ (1). label QS:Lfr,"La Forge de Vulcain". He is the son of Jupiter and Juno, and the husband of Venus. The original text by Ovid is quoted below. The red-orange sheet of heated metal (Nr 4) is painted in vermilion, lead white and possibly a red lake, and calcite. Shipping calculated at checkout. Critics agree that the work should be dated to 1630, the same year as his companion painting Joseph's Tunic. Watercolor Foundation: Basic Techniques and Materials. Date : 1630. Immediately he began to file thin links of bronze, for a net, a snare that would deceive the eye. The size of the puzzle is 9-1/2 x 7-3/4 (24,5 x 19,5cm). (1) McKim-Smith, G., Andersen-Bergdoll, G., Newman, R.  Examining Velazquez, Yale University Press, 1988, pp 115 – 119. Heat and light radiate from the strip of red-hot metal that Vulcan is working and from the fire in the furnace that outlines the bodies of two of the surprised smiths. Gutiérrez-Neiraa, F. Agulló-Ruedab, A. Climent-Fonta, C. Garrido, Raman spectroscopy analysis of pigments on Diego Velázquez paintings. Velázquez was inspired to create this work by an engraving by Antonio Tempesta, modifying it greatly and centering the narrative action on the arrival of Apollo, using a classical baroque style. … Critics agree that the work should be dated to 1630, the same year as his companion painting "Joseph's Tunic" . Diego Velázquez's Apollo in the Forge of Vulcan. Apollo in the Forge of Vulcan - Bilder, Gemälde und Ölgemälde-Replikationen. Diego Velázquez 013.jpg 3,176 × 2,455; 1.03 MB. Dissecting a Masterpiece: Drawing analysis of Velazquez’s “Apollo in the... 2 . The Spanish influence can be seen in Velazquez’ use of ordinary people. Apollo in the Forge of Vulcan by Diego Velazquez is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. These two canvases formed a pair and were brought back to Spain with his luggage: Joseph's Tunic and Apollo in the Forge of Vulcan. label QS:Lde,"Apollo in der Schmiede Vulkans". Velázquez created this painting during his stay in Rome possibly using the etching of the Italian artist Antonio Tempesta as inspiration. And the gods laughed. This book is available at Amazon US, Amazon UK, Amazon DE. With characteristic mastery Velázquez also painted a variety of objects which would be commonly found in a forge. PowerPoint Presentations on paintings and painters, their painting technique, and pigments used in their artworks. My next zoom class. Velázquez painted two large canvases in the house of the Spanish ambassador. The following quotes are from the catalog of the Velázquez exhibition in the Metropolitan Museum of Arts in New York in 1989 and describe several interesting aspects of this painting. Antonio Tempesta, Apollo in Vulcan’s Forge, 1606, Medium: OilSupport: CanvasSize: 223 cm × 290 cm, Art period: Baroque Museo del Prado Inventory number: P01171. Oil on canvas. The flesh colours painted with yellow ochre which does not change with time retained their lightness. He made it so it would cling to the smallest movement, the lightest touch, and then artfully placed it over the bed. And for a long time it was the best-known story in all the heavens.’, 1) Lemnian: an inhabitant of the island of Lemnos in the north Aegean Sea, (1) Alfonso E. Pérez Sánchez, Julián Gállego, Velázquez, Metropolitan Museum of Art, 01.01.1989, p. 113. (2) Alfonso E. Pérez Sánchez, Julián Gállego, Velázquez, Metropolitan Museum of Art, 1989, pp. The Apollo in the Forge of Vulcan is interesting from the point of view of the evolution of Velázquez’s style. La fragua de Vulcano, by Diego Velázquez.jpg 1,511 × 1,200; 674 KB. Velazquez has endowed this elegant and handsome youth with a certain insolence not seen in the rather languid head (pl. There was a short pause and then Leuconoë began to speak, while her sisters were quiet. This book is available at Amazon US , Amazon UK , Amazon DE. The yellow lake is not a very permanent pigment and its fading resulted in the bluish hue of the wreath. His yellow mantle and the aureole of rays about his head seem to illuminate the smithy’s shadows. Vulcan, in this picture, is just a blacksmith, as are his helpers, who are men from the village who know the trade. Apollo came to Vulcan, god and blacksmith affairs, to report that his wife, the beautiful Venus, was untrue to Vulcan. 1 . Bone black Apollo in the Forge of Vulcan is a painting which Velazquez used to comment on his faith in the arts. I must say that Vulcan was a lame and ugly, and Venus, his wife, constantly cheated on her husband. Ovid, Metamorphoses Translated by A. S. Kline © 2004 All Rights Reserved. For this reason, the other figures in the room are looking in urprise at the god who has just appeared before them, some of them even opening their mouths to indicate surprise. The painting depicts the moment when the god Apollo, identifiable by the crown of laurel on his head, visits Vulcan, who is found making weapons for war. Current Location : Museo del Prado, Madrid, Spain. Arsippe ceased. Our artists start with a blank canvas and paint each and every brushstroke by hand to re-create all the beauty and details found in … The subject is taken from Roman mythology, specifically from Ovid's Metamorphoses. Critics agree that the work should be dated to 1630, the same year as his companion painting Joseph's Tunic. The finest spun threads, those the spider spins from the rafters, would not better his work. A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in an orange robe and wearing a laurel wreath, with rays of light emerging from his head. apollo in the forge of vulcan The blue-green wreath on Apollo’s head (Nr 8) is painted in azurite, yellow lake, lead white and yellow ochre. The Lemnian1, Vulcan, immediately flung open the ivory doors, and let in the gods. 113. “Apollo in the forge of Vulcan” - Dissecting a Masterpiece. This book is available at: Amazon US, Amazon UK, Amazon DE. Sale price $5.95 Sale. Well, if an other language should appear here, it should be the Velasquez original name in Spanish. Regular price $5.95 . To appreciate a work of art in all its implications, one has to understand the technique of the painter and to know the materials used in its creation. The frieze-style method of composition could also come from Reni. This book is available at Amazon US , Amazon UK , Amazon DE. Azurite Yellow-green loincloth of the man to the right of Vulcan (Nr 9) contains lead white, yellow ochre, calcite, azurite, and ochre. A variety of objects which would be commonly found in a Forge house of the del... Painting `` Joseph 's Tunic most vivid color as the ordinary life of ordinary people is incredible. Вулкана '': Lit, '' La forja de Vulcà '' Vulcain '' does not change with retained! At Amazon US, Amazon UK, Amazon UK, Amazon UK, Amazon UK, Amazon UK Amazon. The Painter Peter Paul Rubens who had also visited Spain in 1629 Translated by S.... Translated by A. S. Kline © 2004 all Rights Reserved Guido Reni at the request of the artist. 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High colour saturation, such as ultramarine, orpiment, or vermilion a final comparison between the two of...