Media in category "Samuel Ampzing" The following 9 files are in this category, out of 9 total. Find more prominent pieces of portrait at Wikiart.org – best visual art database. Estimate 800,000 — 1,200,000. School/style Dutch. 41. Van Haeften also bought a rare picture by Frans Hals, Portrait of Samuel Ampzing, Half Length, for which he gave £4.7 million ($9.6 million), nearly … Scholars have suggested that the book Ampzing holds contained the poem about Haarlem, with his praise of Hals, which was published in 1628. The portrait, painted in 1630, was engraved shortly before or after Ampzing’s early death on July 29, 1632, by the prolific Haarlem draftsman and printmaker Jan van de Velde II (1593–1641).1 The print (fig 1) reverses the image and slightly reduces its scale. Why, devoted congregation, do you desire to have your herald [Ampzing] in print? All products are produced on-demand and shipped worldwide within 2 - 3 business days. The daylight on the textured wall behind the sitter and the highlights on passages such as the near sleeve, the collar, the face and the hand (which seems to move, with the head, in response to the viewer’s interruption) shine and shift with an immediacy that matches that of the sparkling eyes and the completely focused attention of the figure. Un Ballo In Maschera Visually similar work. 176. From whom acquired by the present owner in 2007. Inconsistent overlaps of figure and background paint indicate adjustments and corrections to the outline. This feature is typical of Hals, who set the contours of his subjects only in the last stages of the painting process. Atlanta, High Museum of Art, “Masterpieces of the Dutch Golden Age,” 24 September–10 November 1985, no. See Seymour Slive, Frans Hals, 3 vols. Van Thiel’s translation of the Latin inscription (see 199 n. 68) improves on that in Seymour Slive, Frans Hals (Exh. Ah, how many scars will you not see on the Spaniard’s face! Liedtke, Walter A. Suyderhoef was twenty years younger than Van de Velde and no print by him is known to date from before 1638. Middelkoop, Norbert, and Anne van Grevenstein. He married Catharina van der Wegen, of Leiden, in 1616; she died three months before her husband, in April 1632.4. Portrait engravings and their inscriptions were often separately solicited by the printer. There are labels but no wax seals, import stamps or inscriptions along the wood panel reverse. Free for commercial use, no attribution required. This painting was later copied as a print to commemorate Ampzing’s work and his contribution to the city of Haarlem. Portrait of Samuel Ampzing, bust to left, aged forty, wearing a ruff and holding a book; after Frans Hals Engraving Producer name Print made by: Jonas Suyderhoef After: Frans Hals Published by: Carel Allard. Already in 1628 the Haarlem clergyman, poet and chronicler Samuel Ampzing (1590-1632) praised the portraiture of his fellow townsman Frans Hals,1 as would Theodor Schrevelius (1572-1649) some 20 … Ampzing’s public fame is imperishable. Entry based on a 2012 examination report by Mark S. Tucker, The Aronson Senior Conservator of Paintings, Vice Chair of Conservation, Philadelphia Museum of Art. New York, The Union League Club, “Loaned Paintings,” 11 and 12 February, 1897, no. Phoenix, Phoenix Art Museum, “Copper as Canvas: Two Centuries of Masterpiece Paintings on Copper, 1575–1775,” 19 December 1998–28 February 1999, Kansas City, Nelson-Atkins Museum of Art, 28 March–14 June 1999, The Hague, Royal Cabinet of Paintings Mauritshuis, 26 June–22 August 1999, no. ; 6 3/8 by 4 7/8 in. New York, 2020–. This exquisite portrait, one of three known works that Frans Hals painted on copper, depicts the Haarlem clergyman, poet, and historian Samuel Ampzing (1590–1632) holding what must be the book for which he is best known: Beschryvinge ende lof der stad Haerlem in Holland (Description and Praise of the City of Haarlem in Holland), published in Haarlem in 1628. Pieter J. J. van Thiel, “For Instruction and Betterment: Samuel Ampzing’s Mirror of the Vanity and Unrestrainedness of Our Age,” Simiolus 24 (1996): 197, 199. Philadelphia, Philadelphia Museum of Art, November 2011–February 2013, on loan with the permanent collection [lent by the present owner]. In this case the inscription clearly implies that the city government commissioned the engraving, which in its scale seems intended for display as well as for private contemplation. 16 [lent by the present owner]. 40, earlier scholars read the now illegible last digit of the date on Hals’s painting as a zero, and this is consistent with the inscribed age of forty. This field is for validation purposes and should be left unchanged. 25 [lent by Sir William Van Horne, Montreal]. Residing elsewhere did not dampen Ampzing’s enthusiasm for his native city. Beijing, National Museum of China, “Rembrandt and His Time: Masterpieces from The Leiden Collection,” 17 June–3 September 2017 [lent by the present owner]. The painting descended in his family until 1892, when it was sold at auction in London; by 1905 it was in the eclectic collection of the railroad entrepreneur Sir William van Horne in Montreal.15 A more distinguished collector of Dutch pictures, Lord Harold Samuel, owned the portrait between 1966 and 1975 (his collection was given to the City of London in 1987),16 and it passed through two New York collections before entering the present one. Frans Hals Portrait of Samuel Ampzing View Gallery > Frans Hals, Portrait of Samuel Ampzing, circa 1630, oil on copper, 6 3/8 x 4 7/8 in., The Leiden Collection, New York. cat. In his post of captain he was also painted by Frans Hals in the civic guard portrait of 1616. 8, pl. Ampzing continued his theological studies at Geneva and Saumur, and in 1616 became a minister in the village of Rijsoord, located between Rotterdam and Dordrecht. Than the one printed in 1632 Leiden, in April 1632.4 in this category out. 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